City Bus Window
A note on street photography, layered windows, and the way public scenes briefly arrange themselves.
Street photographs depend on timing, but they also depend on restraint.
Here, the bus window does most of the framing. Faces, signs, reflections, and passing cars stack together for a second before the scene breaks apart again.
I like images that feel assembled by the world rather than arranged by the photographer.
That instinct shapes my documentary approach to weddings, engagements, families, and editorial photography. Real moments often arrive layered and imperfect, which is exactly what makes them feel honest.
